I have a little tiny Emily Dickinson so big that I carry in my pocket everywhere. And you just read three poems of Emily. She is so brave. She is so strong. She is such a sexy, passionate, little woman. I feel better.

I'm getting old. And I'm disappointed in everything just the way old people traditionally, boringly are. That bothers me because is it too traditional? Am I not fighting hard enough? I don't feel the fight. I don't feel it.

The magic of childhood is the strangeness of childhood — the uniqueness that makes us see things that other people don't see.

I had lost my sister recently, too, which meant that my whole family was gone. I was the baby of the family. There were five Sendaks and there were five Wild Things, and now there's only one Sendak, and he's about to bite the dust, too! Life, as I said before, was very difficult at that time and so it was natural that there would be a change in the look of things. Also, I was very impressed with my own strength in doing this under the circumstances in which I was living.

I never thought of Bumble-Ardy in that way. But I still have that same deep feeling for children who are in dire trouble. I see Bumble-Ardy as a lonely, unhappy kid who is doing the very best he can to be in the world, to have a party.

It was inconceivable to me as a child that I would be an adult. I mean, one assumed that it would happen, but obviously it didn't happen, or if it did, it happened when your back was turned, and then suddenly you were there. So I couldn't have thought about it much.

We’ve educated children to think that spontaneity is inappropriate. Children are willing to expose themselves to experiences. We aren’t. Grownups always say they protect their children, but they’re really protecting themselves. Besides, you can’t protect children. They know everything.