Illustrations have as much to say as the text. The trick is to say the same thing, but in a different way. It's no good being an illustrator who is saying a lot that is on his or her mind, if it has nothing to do with the text. . . the artist must override the story, but he must also override his own ego for the sake of the story.

Knowledge is the driving force that puts creative passion to work.

I had been reading a fabulous book [The Man Verdi, by Frank Walker] about [Giuseppe] Verdi, whom I adore.

I had lost my sister recently, too, which meant that my whole family was gone. I was the baby of the family. There were five Sendaks and there were five Wild Things, and now there's only one Sendak, and he's about to bite the dust, too! Life, as I said before, was very difficult at that time and so it was natural that there would be a change in the look of things. Also, I was very impressed with my own strength in doing this under the circumstances in which I was living.

My sister had her own room. She also had innumerable boyfriends. I had a yo-yo collection that was beyond belief, and the reason I had it was mostly that I would stand in the doorway of the living room watching her and her boyfriend. Finally she caught on how to get this kid out of the way. Give him a yo-yo!

We’ve educated children to think that spontaneity is inappropriate. Children are willing to expose themselves to experiences. We aren’t. Grownups always say they protect their children, but they’re really protecting themselves. Besides, you can’t protect children. They know everything.

My life in Brooklyn was in constant danger because of my bad health.