I think that if in your heart, you are seeking out a real puzzle, and you're not looking to frighten anybody, you're not looking to upset anybody, and you're looking to discuss a subject that you yourself went through when you were nine - you just don't remember the difficulties of one's own childhood.

From their earliest years children live on familiar terms with disrupting emotions, fear and anxiety are an intrinsic part of their everyday lives, they continually cope with frustrations as best they can. And it is through fantasy that children achieve catharsis. It is the best means they have for taming Wild Things.

Kids tell you what they think, not what they think they should think.

I did not know how to paint a mural. I did not know how to prepare the surface. There was nobody from the Renaissance around who could advise me, and I did the best I could.

I feel it in me like a woman having a baby, all that life churning inside me. I feel it every day; it moves, stretches, yawns. It's getting ready to be born. It knows exactly what it is.

I don't believe in things literally for children. That's a reduction.

Then one day my sister abandoned me at the 1939 World's Fair, and that incident is the essence of In the Night Kitchen. I was standing there with hundreds of other people waving back at the little midgets dressed like bakers when I turned around and my sister was gone! The next thing I know I'm screaming and crying and policemen are taking me to a big place with tons of kids who had all been abandoned like me. At least I was old enough to give them a name and an address.