I tend not to work with a specific person in mind. Art is a matter of statistics. It's not about individuals. It's about people.

I'm criticizing the way they are perceived. I was going through a book of Marina Abramovic and Ulay's 1970s performance work the other day. These people did two, even three Documentas or Venice Biennales over the course of a decade without any fuss. They would just treat it as any of their other engagements, with the same level of dignity and commitment they'd reserve for a one-day event in a small gallery on the Austrian mountains.

My ideas are all the same but look different.

I was a loser, most concerned with making a living. It took me 30 years to understand... I had to reinvent a system, find a way out, and set some rules that could work for me and a few others. I guess in the end that's what we all are trying to do.

I don't design. I don't paint. I absolutely never touch my works.

I don't think that the big crunch should be seen as a menace, but rather as an opportunity. It's one of these times in -history - and we have plenty of examples from the past - where it's possible to really make a difference. And if art is serious about claiming a central role in today's society and culture, this is the best chance it's had in ages.

I do not know exactly why, but it seems to me that images do not belong to anybody but are instead there, at the disposal of all.