In principle, any abstraction of the object is allowed which has a sufficiently strong creative power behind it.

When spiritual, metaphysical, material, or immaterial events come into my life, I can only fix them by way of painting.

My heart beats more for a raw, average vulgar art, which doesn't live between sleepy fairy-tale moods and poetry but rather concedes a direct entrance to the fearful, commonplace, splendid and the average grotesque banality in life.

What are you? What am I? Those are the questions that constantly persecute and torment me and perhaps also play some part in my art.

I believe the reason I love painting so much is that it forces one to be objective.

What matters is real love for things of the world outside us and for the deep secrets within us.

What I want to show in my work is the idea which hides itself behind so-called reality.