I think L.A. gets a bad rap. L.A. is the same as everywhere else.

I'm just not one of these guys who, like, you know, woke up with a six-pack. I need Skittles. I have to eat very particularly and I have to work out like a madman. And then it looks like... okay.

I'm Jewish and my wife isn't so right now we're literally decorating a Christmas tree with Jewish stars draped around it.

So when you go to a set and you just fully trust everybody, you know how hard everybody's working, you know that the people doing it are good and have such a strong vision - that's exactly my experience on New Girl, and what my experience on Veronica Mars was like. Everybody was just so great.

There's nothing worse than walking around and talking about your failed relationship, all day, every day, for months on end.

No offense to the other people that we work with, but we spend 14-hour days with each other. You're dying for some sort of new rhythm to play with and another person to have fun with. It's like, "Oh, I can't wait to hang out with Zoe Lister Jones today and not deal with that Jake Johnson."

Pilots are so hard because you have to introduce all these characters, you have to hook an audience, and an audience has such a smaller attention span than maybe they used to have.