The Hulk, a being of pure tortured id, bipolar mania unbound, sprung from the subconscious of a repressed, scientist with a dark childhood.

Put the hero back in the super hero movies, because I think 'super' might have taken over.

You usually find me writing what I like to think of as intelligent summer action and genre films.

What it comes down to is I don't mind if Superman kills people because he has no reason not to kill people. I know that one of the tenets of the character is that he doesn't, but the reason that he doesn't is because having that much power makes you responsible for weaker people.

Chronicle 2 has become this question of, 'How do we all make a movie that we all respect?' And that's true to what 'Chronicle' is. There's no one at the studio who wants to make a bad movie. They all want to make a good movie just as much as I do.

Every story I write is different. Some are hard. Some aren't. 'Chronicle' was tremendously easy. I have a hard time comparing my process on different things, but I will say this: The more you write, the better you get at it. That's one of the few things that's markedly true.

I began to pick apart our knowledge of Frankenstein and discovered that the public's idea of this myth comes from a million different places... I became committed to recontextualizing it all so it all worked in one story.