We're all sheep and lemmings to some degree.

It's surreal working with people you admire. I don't think it ever goes away, no matter how human people are; there's always that moment of 'Oh wow, that's still George Clooney!' But I find that the most talented people tend to be the nicest.

Increasingly as I've gotten older, I'm much more interested in what the reality of the shoot is going to be versus what the result of the shoot might be. I'm so bad at guessing what's going to be good and what's going to be bad - there doesn't seem to be any correlation between things that are within your control.

The weird thing about acting is you're the most competent when you're at your best, but you have to be validated. It's a weird kind of vicious circle.

When you have to cast movies from a producer's standpoint - when you've been on the other side of casting sessions - you just get a completely different perspective on what that process is of getting a job for an actor. You realize how completely impersonal it is. If anything, I think it's made me a lot less sensitive. So much of this is logic and business, and it's got nothing to do with whether people are good or not. Unfortunately, I think that's one of the last things that gets factored in when you're assembling a cast.

I think we all want to find the love of our life and live our fantasies. What art student hasn't used his art to get girls? What journalists or actors haven't used their craft as well? It's a very human instinct to pursue.

I've never taken a job as an actor that I wasn't 100-percent sure I wanted to do. I've never had to think about whether or not I wanted to do something, and there have always been a lot of factors to that. I don't think I'm an actor who's driven by character, to be honest.