Nothing is ever guaranteed, and all that came before doesn't predicate what you might do next.
Maya LinI saw the Vietnam Veterans Memorial not as an object placed into the earth but as a cut in the earth that has then been polished, like a geode.
Maya LinI deliberately did not read anything about the Vietnam War because I felt the politics of the war eclipsed what happened to the veterans. The politics were irrelevant to what this memorial was.
Maya LinI always give the analogy of the Earth at Night picture, of 7.3 billion of us, right? And everyone says, "Well, that's population." Well, if you took the entire world's population and you lived at the density of Manhattan proper - not a bad place to live - how much space do 7.3 billion people take up? The state of Colorado. At which point I end my lectures, because I want you to be thinking ... is this really a question of population, or is this a question of land use and resource consumption? And let's face it, the top 1.3 billion of us are doing all the damage. Sorry.
Maya LinI think I needed to really move past my first public work as memorialist, and be equally balanced. It's a bit unusual, to be working between the architecture, the art, and what I would say is a synthesis, the memorials - they're problem solving, but it's very symbolic. You get this triangle; I need to be balanced with those three. They're all equally a part of who I am. I love how different they are, and yet they're coming out the same thing, whatever it is.
Maya Lin