I read nothing. I watch nothing. I haven't even seen myself in the opening ceremonies of the Vancouver Olympics. I don't look back. I don't allow myself to be influenced by people who don't know me. I'm incredibly thin-skinned. When you wander through this life as an exposed nerve, you have to make sure you remain insulated to a certain extent.

Opera contains music that reflects a culture of poetry and aesthetic. Spirituals are no different. What separates a spiritual for me is that I also happen to love Jesus. When I'm approaching these songs, I'm not approaching them like Mozart. I see my faith and the struggle of my ancestors and of a people seeking freedom beside what these songs are going to be in terms of their arrangement and delivery.

Sometimes we depersonalize people who we don't agree with or who we see as targets for hatred. If you think of anything as having a mother, that's going to change everything. All of us have mothers and came from a womb. Buddha says you can't hate anything you understand.

People feel that you'll never be able to recreate the birthplace of a song that has, at its core, the hardship of a people. Unless you underwent the respect that it takes to appropriate those songs through a ritual, then perhaps you should think twice before simply picking them up.

I've always hid behind the music despite the fact that I have a huge personality. I'm thrilled that the music is bigger than me and will outlive and outlast me. It frees me up to take risks.

I feel like I go from strength to strength. What exists in between is the stuff that makes it worth it. I don't know what a triumph is unless I know what a failure is. I welcome both in equal measure because I know they're both temporary anyway. I know they're both unavoidable anyway.

Often the most specific stories end up being the most universal.