When I was a teenager, I thought I wanted to be an actor. I worked on an Indian soap opera that was my first exposure to production. But I quickly became disillusioned by acting and seeing that in the movies I loved and the TV I loved, no one looked like me. There weren't going to be any leading roles that would be interested in casting someone with my face.
Meera MenonI think it was the same thing that really makes the premise of this film [Women of Wall Street] compelling: the idea of a woman negotiating issues around power and money, which are two things that have historically been denied to women. To see a woman operate successfully, but still find those barriers a result of that historical and systemic bias in her pursuit to the top, is a really interesting struggle.
Meera MenonWhen I was in film school at USC, I wrote my thesis script about a woman on Wall Street - specifically a woman who used to work at Morgan Stanley, sort of based on her life. Through that process, I did some research.
Meera MenonI'd like them [people] to leave thinking about the challenges women face in the workforce, but more importantly to really feel the emotional highs and lows of those challenges - to have really experienced that unsettling place where ambition crosses over into something else entirely.
Meera MenonI always knew I wanted to make films, but just didn't quite know how to start. I was making little short films with my friends but I wasn't quite sure how to put those pieces together for myself.
Meera MenonMy dad is an engineer by trade but worked a lot with the people in the Indian film industry when I was growing up. He started out distributing films from India here in the '70s because there was no place to go for people to watch movies from the homeland. So he developed a network of actors, writers, directors, and musicians that became his friends and that he would tour around the country with, doing stage shows of the musical numbers from their films.
Meera Menon