The only option for a creative person was constant motionโa lifetime of busy whirligigging in a generally forward direction, until you couldnโt do it any longer.
Meg WolitzerWhen I wrote The Interestings, I wanted to let time unspool, to give the book the feeling of time passing. I had to allow myself the freedom to move back and forth in time freely, and to trust that readers would accept this.
Meg WolitzerEverybody has a theme. You talk to somebody awhile, and you realize they have one particular thing that rules them. The best you can do is a variation on the theme, but that's about it.
Meg WolitzerObjectifying your own novel while writing it never really helps. Instead, I guess while you're writing you need to think: This is the novel I want to write. And when you're done you need to think: This is what the novel I wanted to write feels like and reads like and looks like. Other people might call it sweeping or small, but it's the book you chose.
Meg Wolitzer"Unputdownable" is, I suppose, something we all dream of, maybe without knowing it. I realized, some time ago, that a novel can hold a lot, and it made sense that this one was not of the sleek and economical variety, but instead the "full" type. Novel as piรฑata. And the reader does the whacking. I had a central idea, which is to look at what happens to talent over time.
Meg Wolitzer