In the end, the best part of the whole book [The Nightingale ] to me was the research, reading about the courageous, ordinary French women who put their lives on the line to save others. It was really inspirational.

There were others, women with stories that were told in a quieter voice: women who hid Jewish children in their homes, putting themselves directly in harm's way to save others. Too many of them paid a terrible, unimaginable price for their heroism. And like so many women in wartime, they were largely forgotten after the war's end.There were no parades for them, very few medals, and almost no mention in the history books.

I'd extend an invitation to Lisbeth Salander. She would definitely shake the party up and get it started. I think she is hands down one of the most original, innovative, kickass female fictional characters ever.

Calling it lunacy makes it easier to explain away the things we don't understand.

I think The Nightingale is my best, most mature, most moving novel, but maybe that's just because I love these characters. I love the setting.

[ The Nightingale ]ended up being a huge undertaking - a daunting amount of research on a subject that many people know intimately, a country I had not yet been to when I first started planning the book, an entire war.

All life's a risk, that's what makes it interesting.