I don't keep a diary or a journal. Sometimes I'll send emails to friends and that's a way of recording what I was thinking at any given time. But I've never been a journal keeper. I feel like part of that is because I'm always on deadline. I've been a freelancer my entire career and, at any given time, I have several deadlines for all sorts of things whether it's some magazine piece or ad copywriting or anything. Obviously, people with deadlines keep journals all the time but, for me, the idea of doing more writing is never appealing. It's why I never blog.

There has to be insight born of hindsight. Otherwise, you're only confessing your sins and asking the reader to forgive you. And that is a complete misuse of the writer's power and unfair to the reader.

Evan Handler is not only a fine actor, he’s a damn good writer. It’s Only Temporary is wise and funny and as righteously indignant as it is endearingly self-effacing. In what may be a literary first, the book actually left me wanting more.

Being in the entertainment industry in L.A. is the equivalent to being in the publishing industry in New York. You don't ever have to hangout with anybody else.

I had written a lot about my dog dying before. I wrote a newspaper column about it and it turned out to be the most popular column I'd ever written. That and the lame Joni Mitchell column I did. But the dog column, my god! People love dogs. Anybody who writes regularly should know, when in doubt: dogs! If you're a columnist, when in doubt, write a column about the culture of narcissism - like a scolding column about the culture of narcissism - or write something about dogs. That's the homerun in my take.

In New York the stakes are so high. In urban centers the stakes are so high. You marry the wrong person, you go to the wrong college, you take the wrong job. Any of these things could really get you in trouble down the road. Or in your mind anyway. You're afraid to make any move, it's paralyzing.

For me, one of the reasons I love this form - the personal essay form - is because it's a way of forming an intimacy with the reader. What I'm saying to the reader is: I'm going to tell you something; I'm going to be generous; I'm going to offer. The confession, on the other hand, is sort of an imposition because you're asking the reader to forgive you or somehow exonerate you or say, "Hey, I'm even worse." But what I'm interested in doing is being generous and offering a perspective or suggesting a way of thinking about something.