With ferocity and extraordinary craft, Lizzie Harris has made a book of poems that resonates far beyond the personal stories it tells. Stop Wanting reveals, in every lyric, its author's profound metaphorical gifts. In its ironies and intensities, it brings to mind a writer like the young Sylvia Plath, though what is startling about Harris' s work is the way it combines those gifts with a muted, deft self-awareness. Most of all, these are wonderfully shaped, powerful, and surprising poems-a startling debut.

Grief is a bad moon, a sleeper wave. It's like having an inner combatant, a saboteur who, at the slightest change in the sunlight, or at the first notes of a jingle for a dog food commercial, will flick the memory switch, bringing tears to your eyes.

What's endlessly complicated in thinking about women's gymnastics is the way that vulnerability and power are threaded through the sport.

I was not raised with religion, and I had no faith before my mother died. On the other hand, when she died, I did not immediately feel she was "gone." I don't believe she is in something like heaven, but I also feel that we don't understand much about the nature of the universe. So I hold on to that uncertainty, at times.

And after my mother's death I became more open to and empathetic about other people's struggles and losses.

One of the grubby truths about a loss is that you don't just mourn the dead person, you mourn the person you got to be when the lost one was alive. This loss might even be what affects you the most.

Our minds are mysterious; our conscious brain is like a ship on a sea that is obscure to us.