I guess it's a personal preference. Me, personally, I like to be able to tell the stories that I want to tell and do the things that I want to do. It takes a little bit more work, but that's what the production side is.

Being producer you're still going to have to sell somebody who's going to give you the money on the idea and everything like that. But it does give you a little bit more control if you're thinking in that creative process; it gives you more control to tell the story you want to tell rather than sort of just reading a script that somebody else wrote and says, "Yes, please, you can hire me for this job." So it's a little bit more hands-on, a little bit more closer to the heart.

I have my own method [of acting]. I come from, I've interrogated people; I come from an undercover background, so it's hard to teach an old dog new tricks.

I like to make sure that I'm believable. If I don't believe me, then there's a lot of people that don't believe me, but if I can believe that I'm doing it, then I know the audience will, too.

The first day, in particular, is always one of those weird days because you get ..., you're thrown into this new trailer - here's your wardrobe.

The networks are different so they have a different approach. Obviously, with The Shield - that was on FX so they had a little bit more leeway as far as the dialogue was concerned and even the content and what they showed the viewers, which is a great thing. But we will push it to the limit as far as FOX will let us go; that's for damn sure.

Working with great actors - being part of something of that magnitude and not knowing the business and what the business entailed or any of that. I was so wet behind the ears, I didn't know anything. It's, like, you're watching movies, and then here you are in front of those people and working with them. It was pretty interesting.