I grew up in a rough environment. You want to be strong and have your presence felt out there. That attitude reflects how people see you.

I think that there's room to grow, as far as being a person of color in film. I went to the theater the other day, and there's a whole bunch of Valentine's Day movies coming out. And the only ones that you see a lot of us in are us goofing off and clowning around; it's this kind of pseudo-romantic comedy kind of thing.

The first day, in particular, is always one of those weird days because you get ..., you're thrown into this new trailer - here's your wardrobe.

A lot of times you'll hear horror stories about actors being incredibly selfish and only wanting themselves to shine, but for me, it's not about just one person. It's about the whole team. That's the way I look at acting. That's the way I look at everything I do.

Being producer you're still going to have to sell somebody who's going to give you the money on the idea and everything like that. But it does give you a little bit more control if you're thinking in that creative process; it gives you more control to tell the story you want to tell rather than sort of just reading a script that somebody else wrote and says, "Yes, please, you can hire me for this job." So it's a little bit more hands-on, a little bit more closer to the heart.

I can do comedy but it's a certain type. I'm not a physical comedy guy. I'm not Will Ferrell - there's just this crazy and get naked and run through the thing screaming. That's just not my style; my style is drama or - I'm not slapstick.

The networks are different so they have a different approach. Obviously, with The Shield - that was on FX so they had a little bit more leeway as far as the dialogue was concerned and even the content and what they showed the viewers, which is a great thing. But we will push it to the limit as far as FOX will let us go; that's for damn sure.