Because I've made a film with such an amazing director as Tarantino, I'm much more conscious of working with good directors from now on, so that's what's important to me. I don't really care about making a big movie - I just want to make good ones.

Every time a director calls me and says, 'If you practice a lot in two months, can you be an American?' And I always tell them, 'Well, maybe but I'm French. So it's going to be hard to be someone else.'

Every time I play in a movie, I never expect that it'll be huge. I don't like thinking about that, because it's so scary.

I never practice before, I never work hours on a script. I just choose my characters and trust them, and after that, it's about the director taking your hand.

I'm taking a break from music... everyone was so mean about it and it was so hard that I wanted to die.

A good director has to be a captain - he has to work with a lot of people every day.

I think I was, like, maybe frustrated for many years because I didn't try to direct. And since I made my movie I'm just like, 'It's great.