I think there's so many little specific things in the script [of "I Don't Feel at Home in This World Anymore"]. And the script was also structured so beautifully that I didn't want to mess with it.

I feel so grateful when I see a movie and there's a woman who looks somewhat like me. I'm like, 'Thank you, Samantha Morton!' You know, a woman who feels like a human being. That means so much to me.

Sometimes you just feel so fortunate to be in the company that you're in and you just want to soak it all up.

I'm not one of those people who can cry on cue. If I have to cry in an audition, I'm like, 'Okay, let me see what I can do.

I've had a lot of struggles with depression. It's very easy for me to go to a bleak place, or for me to doubt humanity, myself, the world, my choices.

I've done a gazillion readings that have gone on to be movies that are made without me.

For "The Intervention" I came up with a back-story and Clea [Duvall] was like, "No." And I was like, "I don't care."