I also made a lot of really great friends on that show [the Voice], so that's one of the most important things that I've taken out of that experience.

Probably "Mrs. Potato Head" or "Training Wheels". "Mrs. Potato Head" because it was the hardest song to write and it took me a while to finish it and feel good about the lyrical content. But I've had that idea in my head for so long, especially the visuals - pulling apart a Mrs. Potato face and how that doubled as a meaning for plastic surgery. "Training Wheels" because it's the only love song on the album.

There are obviously so many artists that are very inspiring, but I can't say that they like - that I have someone in mind that is like a creative direction of where I want to go as an artist. I think I'm just doing my own thing.

Cry Baby is about Cry Baby and the next album [which I think I have a title for but I don't wanna say anything yet because I don't know and it's too early] is a place in the weird town that I'm trying to create and its Cry Baby's perspective throughout this album. You're not learning about her, you're learning about the place that she's in and her perspective. Down the line for sure I will think of other characters in this world.

I think honestly when I was younger I use to love going to carnivals in Long Island. I use to love carnival season; I would drive to every town going to carnivals. That was definitely a favorite memory.

It's like visual is super important to me. So if I am writing a song, like, I have to have the title.

I was always hard on myself for taking things too personally.