I'm probably the most proud of "Mrs. Potato Head," because I had that idea in my head for so long, and I tried writing that song one time and I just couldn't tell the story the way I wanted to, and I couldn't figure it out.

Everyone got to choose what they wanted to wear on stage, and by the third time going into wardrobe the stylists already knew what I'd love and what I would never throw on my body in a million years. They were fantastic, and it was so lovely working with them.

I think honestly when I was younger I use to love going to carnivals in Long Island. I use to love carnival season; I would drive to every town going to carnivals. That was definitely a favorite memory.

A lot of people relate my success now with The Voice, and it has nothing to do with that. I've definitely worked my ass off for a year afterwards trying to get that off of my forehead. If anything, it's actually harder to get labels to look at you when you come off a show like that, and it's harder for people to look at you like a real artist.

I love Nicoletta Ceccoli , and I love Tim Burton movies. So those are like my biggest inspirations I think.

"Dollhouse" was really insane. We shot it at this top house studio in Brookyln. It was really cool. I designed a mini dollhouse that we used. I made it all by hand and decorated each room, and we based the actual set off of that. The Dollhouse was just plain wood and I put roofing on it and everything. I got real carpet for it. It was crazy. It was definitely an interesting experience. It was the first music video I've ever made. It was definitely stressful but awesome. Everybody was really amazing on set; we just had a blast doing it.

I'm always going to hear people make that connection and I've just accepted it. It's alright. I'm just happy that I get to do my own thing now. I learned a lot from the show [the Voice] as far as being in the TV world and being in front of the camera, which is really great because I'm not as nervous in front of the camera as I was before.