Everyone got to choose what they wanted to wear on stage, and by the third time going into wardrobe the stylists already knew what I'd love and what I would never throw on my body in a million years. They were fantastic, and it was so lovely working with them.

The title is the first thing that I have. Then when I have that title, I have to make sure that the title...is like, so...I have to make sure I can tell a whole story from that one title and like make sure that it, from beginning to end it makes sense.

"Dollhouse" was definitely inspired by the whole Edward Scissorhands vibe where all of the houses are perfect, but inside each home there are very messed up families.

It's just weird because like when I was writing Cry Baby I like...the only thing that I was thinking about, when writing it, was the concepts and the visuals, and the way that it sounded kind of happened naturally.

My favorite performance would definitely be "Toxic," which was my blind audition song. It was the start of it all and it was a song I had been covering before the show, so it was very dear to my heart.

The whole entire album is about Cry Baby, you know, being super insecure and kind of like going through her emotions until she finally realizes that she's comfortable with how crazy and insane she is and I think that I've made the exact same kind of progression , and the growth...and I don't know, like I feel like I've definitely grown into who I am and, like, I think Cry Baby is just me.

There are obviously so many artists that are very inspiring, but I can't say that they like - that I have someone in mind that is like a creative direction of where I want to go as an artist. I think I'm just doing my own thing.