It's very hard to be an artist, on my first album, and I'm like asking for money for a music video for every song - it's so hard to do. You have to pick your battles for sure, but I definitely want - and I've always worked to make it all connect - for all of it to feel cohesive.

I think because "Dollhouse" was the first story that I put out. It was the first thing that people were able to listen to and find the aesthetic of my music, so I figured we could use that as a title.

Probably "Mrs. Potato Head" or "Training Wheels". "Mrs. Potato Head" because it was the hardest song to write and it took me a while to finish it and feel good about the lyrical content. But I've had that idea in my head for so long, especially the visuals - pulling apart a Mrs. Potato face and how that doubled as a meaning for plastic surgery. "Training Wheels" because it's the only love song on the album.

I was genuinely happy when I wrote that song [Training Wheels] and very in love. That's a very rare emotion to evoke out of me.

Mark Ryden is my favorite visual artist.

It's like visual is super important to me. So if I am writing a song, like, I have to have the title.

I'm pretty excited for people to listen to the story of each song. It's definitely like a giant book with different stories in it. They are all very child-like but also a balance between light and dark.