The whole entire album is about Cry Baby, you know, being super insecure and kind of like going through her emotions until she finally realizes that she's comfortable with how crazy and insane she is and I think that I've made the exact same kind of progression , and the growth...and I don't know, like I feel like I've definitely grown into who I am and, like, I think Cry Baby is just me.

Cry Baby is a character so I think that the next album is going to be about a specific thing in her life or another place in her world. It's going to be a bit deeper into a bigger picture.

I never had a lot of friends growing up so having this insane amount of love and support really means a lot to me.

On the show [the Voice] I obviously wasn't allowed [singing my own original music], because it's not that type of show. I think it's really cool that I get to do my own thing now.

I go with what I like and I generally just cling to things that are pastel and remind me of being a little kid. It's just what it is right now, but I go through phases.

I was always hard on myself for taking things too personally.

Probably "Mrs. Potato Head" or "Training Wheels". "Mrs. Potato Head" because it was the hardest song to write and it took me a while to finish it and feel good about the lyrical content. But I've had that idea in my head for so long, especially the visuals - pulling apart a Mrs. Potato face and how that doubled as a meaning for plastic surgery. "Training Wheels" because it's the only love song on the album.