The truth doesn't set you free, you know. It makes you feel awkward and embarrassed and defenseless and red in the face and horrified and petrified and vulnerable.

You go shake your foundations, Will. I think it's about time I saved myself.

You've been quiet these past days," Trevanion said. "Are you going to tell me what the...exchange of words was about?" "Who said there was an exchange of words?" Finnikin asked with irritation. "When a woman says 'I hope you fall under your horse' and 'catch your death, then see if I grieve you,'" Perri said, "then there's been an exchange of words." Finnikin glared at him. "In my humble opinion.

It’s Tolstoy, by the way,” I say as I open the door. He turns around. “What?” Shut up, I tell myself. Shut up. “The writer of Anna Karenina. Not Trotsky. Trotsky was a revolutionary who was stabbed with a pickax in Mexico in 1940. But I can understand how the T thing could confuse you.

Your problems are out there. But they're small. They only grow out of proportion when they climb inside your head.

She knows that feeling too. Of believing that each time someone says her name, it’s to tell her that something bad has happened.

He takes out a cigarette and offers one to me. "I try not to indulge. It's a filthy habit," I tell him. "I love that word filthy. I love the way you force it out of your mouth like it's some kind of vermin you want to get rid of." "You've had vermin in your mouth?" "You're mean in that way, you know. You don't let anyone get away with pathetic analogies.