I am secretive. Always have been. And one way that secrecy manifested in my early life was that I was adept at juggling multiple social realities: I could get by no problem in many social arenas (including that of high school), but also felt alienated and totally uninspired by everything that happened there.
Melissa FebosI've always looked very closely at people, and seen a lot; that was true even when I was a kid. That's what made me a good domme, but it's also what makes me well suited to being a writer, and a teacher.
Melissa FebosI think trauma gets a reductive treatment. We tend to think only violence or molestation or total abandonment qualify as "childhood trauma," but there are so many ruptures and disturbances in childhood that imprint themselves on us. Attachment begets trauma, in that broader sense, and so if we've ever been dependent on anyone, I think there is an Imago blueprint in us somewhere.
Melissa FebosAll our stories are part invention - the way we've decided to make sense of what has happened.
Melissa FebosA lot of the experiences I write about could be described as grasping for boundaries, trying to find the limits of things.
Melissa FebosEarly in my career as a domme, I both admired and feared becoming one of those career dommes. I saw, in myself, and in some other women in that industry, the way that sex work could eclipse the other parts of your personality, the way that I started to feel as if I wasn't qualified to do anything else. I had always known that I wanted to be a writer, and I stopped writing for a time while I was domming; the experience subsumed my other interests, and it scared me. Now, however, I have nothing but admiration for them.
Melissa Febos