You can't really gauge the difficulties of television. There's difficulties and joys that happen with an amazing, great team, when one is working. Television can be a very frustrating job for almost anybody working in television, because you're shooting episodically, and you don't know one scene from the next, and maybe they change around.

I have some close friends I keep in touch with. I knit. I watch a little too much TV. I ski, if the weather's right for that. If I can find a group of buddies, I go rock climbing.

The climate informs the character.

I was really not familiar at all with Edward Snowden. I like to get that right out of the way and really learned most of what I know from Oliver's [Stones] script.

It becomes more and more popular to call actors who play characters "character actors." But I've always been somebody who is much more invested in who I am playing than how they look.

I do, however, have tape over my eyepiece as well. What I think my peace is saying isn't, "Oh I have something to hide. I don't want you to look," it's more saying, "No thank you. I prefer you not look. I'm not giving you permission."

I'm very old-school. I like a director to direct me. I like to be the actor. I'm not particularly fond of the hybrid writer-director, or actor-director. Writers, directors, actors are all such very different people. I think it's unusual that two of those people are in one human.