I'm a little jaded about change actually happening, I'll admit. The numbers are exactly the same as they were two decades ago, in terms of the number of female leads, or people behind the camera, all of that. I'll certainly do my part, and I feel like Jessica Jones is a great step.

When I was developing the [TV Series "Daredevil"] idea, we were really doing something closer to what was in the comic book. By that, I mean in terms of civilians in the street knew that superpowers were an everyday matter of fact. When it finally ended up at Netflix, they really decided to land it in the Marvel Universe that exists in the cinematic universe. That changes the story entirely. It was no longer about the other, which is what that metaphor was. It's really more about the character herself, which I love.

I am involved with 'Write Girl,' which is such a great organization, because they go into inner city schools and work with underprivileged girls to pair them up with other writers. And it gets them learning to express themselves and become familiar with their own voice. They have a 100% success ratio getting those girls into college.

I've started a company, called Tall Girl Productions, and we've got our first project that is purely producing, not writing, with a writer named Evan Daugherty. It's for NBC, it's called Afterthought, and it's science fiction-ish. That's fun.

With any sci-fi fantasy storytelling, you must have rules be very clear, otherwise you lose people, like 'OK, they can fly; now they can't fly.'

With a film, you have to pare down and take stuff out and squish it all down into a 110 page script.

The only kind of film I want to write is a story where I can keep on seeing the stories play out. I'm a huge television fan, and I'm a huge continuing storyline fan.