I try to use all of my senses when describing a setting, and try to think of everything that would impact a character in any given scene.

We're none of us quite so sure of our place in the world that we can't be rocked off our feet by bad times. It's the getting back up again that counts. Not that you fall, but getting back up again counts for more in the long run.

It's just as easy to be lonely in a city as out in the wilderness. Easier, really. It's harder to get to know someone when you meet in a crowded place. People can freely ignore you in the city; they can assume they don't have any responsibility for you. When there are fewer people, (...) they begin assuming some kind of responsibility, simply because you naturally do the same.

...Though drowned was just as dead as any other way of dying.

Getting angry over something that won't change is like seeing what happens if you hit your hand with a hammer over and over again, and being surprised each time when it hurts. So you might as well stop doing it.

The dragonets found the carpenters to be even more fascinating than the furniture, and followed the poor men from pen to pen, crowding around to watch, tasting the wooden planks, trying to steal the tools. It made for an interesting day for everyone, as the boys tried to keep the dragonets away from the carpenters, and the dragonets tried to get at the carpenters, and the carpenters worked probably a great deal faster than they ever had in their lives, sure that the dragonets would go from tasting the wood to tasting them.

A quaint conceit, don't you think?