I'll be with The Goat until the fall. Then I've been given three plays to look at and there have been a couple of films have come over the desk. I will probably not do either one of them.

Society historically has a difficult time with the concept of something new and foreign that shakes up our comfortable views, especially if it involves the very volatile question of sexual identity.

I find there's almost no place to put an award that one's quite comfortable with.

But in my own particular case, there was something that happened when I became a mother. Whenever in the news I saw an example of a child being abused or mistreated, my response went from being appalled to being physically revolted.

You know, I once leased a Mercedes because I got a good deal on it because of my first name.

In some roles you do that very hard work where, at some point into rehearsals, where all of a sudden it snaps into place. You feel like the soul of this character is now dwelling in you.

I find that once you find the sound and voice of this character you're playing, everything else follows. It comes right out of the fingertips eventually - the physicality, the gestures, the walk - for me.