I find there's almost no place to put an award that one's quite comfortable with.

In some roles you do that very hard work where, at some point into rehearsals, where all of a sudden it snaps into place. You feel like the soul of this character is now dwelling in you.

You know, I once leased a Mercedes because I got a good deal on it because of my first name.

I find that once you find the sound and voice of this character you're playing, everything else follows. It comes right out of the fingertips eventually - the physicality, the gestures, the walk - for me.

I learned a lot more about transgender people. It's not a choice, but a physiological condition that has to do with the size of the hypothalamus part of the brain.

Also, I had read a book called She's Not There: A Life in Two Genders, written by a professor who had gone through transgender surgery, but it took this person well into his thirties to come to terms with the absolute necessity of having to do it.

I'll be with The Goat until the fall. Then I've been given three plays to look at and there have been a couple of films have come over the desk. I will probably not do either one of them.