That inner voice has both gentleness and clarity. So to get to authenticity, you really keep going down to the bone, to the honesty, and the inevitability of something.

I work in between the cracks, where the voice starts dancing, where the body starts singing, where theater becomes cinema.

That inner voice has both gentleness and clarity. So to get to authenticity, you really keep going down to the bone, to the honesty, and the inevitability of something.

I think about that "empty" space a lot. That emptiness is what allows for something to actually evolve in a natural way. I've had to learn that over the years - because one of the traps of being an artist is to always want to be creating, always wanting to produce.

As artists, I think that one of the good qualities we have is that we're imaginative. We're resourceful. We like challenges.

My music is very, very precise. It's very rigorous. The forms are much more intricate than you would imagine.

I somehow sensed when I was a teenager that I wanted to do my own work. I was quite clear that I didn't want to be an interpretative kind of artist. I had an intuition about wanting to create my own form, in one way or another, whatever that would be.