Where is the good in goodbye?

I haven't seen Iowa people get so excited since the night Frank Gotch and Strangler Lewis lay on the mat for three and a half hours without moving a muscle.

From the explanatory notes that Willson wrote to accompany his symphony, A Symphony of San Francisco,: "Generally speaking, the first movement is intended to convey pioneer courage, loyalty, strength of purpose and freedom." The trumpet motive in the closing Allegro "is a call of defiance to the very elements themselves that had the temerity to dispute the spiritual strength and courage of the golden city of the West."

You pile up enough tomorrows and you'll be left with nothing but a bunch of empty yesterdays. I don't know about you, but I'd like to make today worth remembering.

Regarding the current Broadway revival of The Music Man, Jay Nordlinger wrote: There will always be those who sniff that the show is "feel good"-but, oh, it feels good to feel good. And the main reason The Music Man feels so good is that it is good-a great American musical.

Never let the demands of tomorrow interfere with the pleasures and excitement of today.

The coward dies a thousand deaths — the brave man only 500.