That's my way in the very beginning - how to enter it [a role]. Very quickly in the process, I don't think about voice being separate from the way you hold your head or the way you sit or the way you put on lipstick. It's all a piece of a person, and it's all driven by conviction.

I would never say don't do acting [to my kids], because I think it is a glorious profession and I am so thankful for everything it has let me express.

We don't like to talk about that in America, but there are classes in America. And she [Julia Child] was of a class of women who were wealthy, privately educated, went to Smith, moved in that sort of circle. She was conscripted into the OSS, which is the early CIA, which was all filled with Yalies and Princeton and Harvard people and a few women who were typing mostly but also had something to do.

My success has depended wholly on putting things over on people, so I'm not sure that I'm that great a role model. I am, however, an expert on pretending to be an expert on pretending to be an expert.

You can have a perfectly horrible day where you doubt your talent... Or that you're boring and they're going to find out that you don't know what you're doing.

Show business has been really, really good to me because I can work and take a lot of time off, and I'm extremely undisciplined person.

And it interferes with your ability to be a good actress if you're constantly aware of yourself as a person. To me, it isn't valuable to think about how I'm coming off all the time if I'm trying to create a character, because that's a process that I love. It's like falling in love and surrendering to another person or a character.