That is the simple secret. Always take your heart to work.

You know, you're not aware of it, but you're following the action of the film through the body of the protagonist, you know? You feel what he feels when he jumps, when he leaps, when he wins, when he loses. And I think I just took it for granted that, you know, we can all do that, but it became obvious to me that men don't live through the female characters.

I'm in show business. I believe in illusion and delusions and in holding aloft the bubble of a dream of some sort because, really, there are lots of reasons to look at the chasm. But art and music, these ineffables, they're just - they're the consolations of what human beings can create and make, and delight is accessible, you know, should you care to find it.

I have a holistic need to work and to have huge ties of love in my life. I can't imagine eschewing one for the other.

People will say to me, ‘You’ve played so many strong women,’ and I’ll say, ‘Have you ever said to a man, “You’ve played so many strong men?”’ No! Because the expectation is [men] are varied. Why can’t we have that expectation about women?

We don't like to talk about that in America, but there are classes in America. And she [Julia Child] was of a class of women who were wealthy, privately educated, went to Smith, moved in that sort of circle. She was conscripted into the OSS, which is the early CIA, which was all filled with Yalies and Princeton and Harvard people and a few women who were typing mostly but also had something to do.

People want what they want. Sometimes you just have to walk in defiance of it and just be yourself.