I say to myself, 'I don't know how to act - and why does anybody want to look at me on-screen anymore?' ... Lots of actors feel that way. What gives you strength is also your weakness - your raging insecurity.

Show business has been really, really good to me because I can work and take a lot of time off, and I'm extremely undisciplined person.

But for me, it [singing] was a way to get out the feeling of the song, and also to get out the feelings that, you know, roil in high school, to express something that I had no other way of expressing.

It's hard to negotiate the present landscape with a brain and a female body.

All an actor has is their blind faith that they are who they say they are today, in any scene.

How do I do that preparation [for film]? Just an immersion. I have a musician's, I guess, ear for the sound of the voice but it's also important to me, in the case of [playing] someone who is controversial, to get the outlines of the character right because how they present themselves to the world has a great deal to do with how people feel about them.

You have to embrace getting older.