Well, it has to do with very deep things, because it might be that imagining yourself as a girl is a diminishment. But it is something that when I made "The Devil Wears Prada" it was the first time in my life, 30 years of making movies, that a man came up and said I know how you felt. I know how you felt. I have a job like that. People understand.

I couldn't care less about fashion. If I had taken any clothes home, they would have remained in my closet for the rest of their existence.

I have a theory that movies operate on the level of dreams, where you dream yourself.

I want to feel my life while I'm in it.

The biggest lesson I learned in my career was to ask other people what they make because the men usually make more than you do. And it's good to know. You're not allowed to ask...but it's good to ask.

She [Barbra Streisand] was just - we can't know what we mean to each other. You know, artists, you can't know - you can't know that, but she was really important.

As there begins to be less time ahead of you, you want to be exactly who you are, without making it easier for everyone else.