Well, it has to do with very deep things, because it might be that imagining yourself as a girl is a diminishment. But it is something that when I made "The Devil Wears Prada" it was the first time in my life, 30 years of making movies, that a man came up and said I know how you felt. I know how you felt. I have a job like that. People understand.

I just take every day is a miracle and I'm really glad that I'm still working and that people are not sick of me, even though even I'm sick of me a little bit.

I feel very strongly that we make decisions about what we're giving to the world, what we're withholding from the world, by virtue of what we put on our bodies.

I want to feel my life while I'm in it.

I follow no doctrine. I don't belong to a church or a temple or a synagogue or an ashram.

You know, you're not aware of it, but you're following the action of the film through the body of the protagonist, you know? You feel what he feels when he jumps, when he leaps, when he wins, when he loses. And I think I just took it for granted that, you know, we can all do that, but it became obvious to me that men don't live through the female characters.

Interestingly, young people don't come to you for advice. Especially the ones who are related to you.