People will say to me, ‘You’ve played so many strong women,’ and I’ll say, ‘Have you ever said to a man, “You’ve played so many strong men?”’ No! Because the expectation is [men] are varied. Why can’t we have that expectation about women?

As there begins to be less time ahead of you, you want to be exactly who you are, without making it easier for everyone else.

One of the most important keys to acting is curiosity. I am curious to the point of being nosy. What that means is you want to devour lives. You're eager to put on their shoes and wear their clothes and have them become a part of you. All people contain mystery, and when you act, you want to plumb that mystery until everything is known to you.

I get a trickling few scripts that I'm lucky enough that some of them are great. I don't get loads of scripts.

And it interferes with your ability to be a good actress if you're constantly aware of yourself as a person. To me, it isn't valuable to think about how I'm coming off all the time if I'm trying to create a character, because that's a process that I love. It's like falling in love and surrendering to another person or a character.

Well, she's so alive, Julia Child. And Margaret is so - is so designed. She's so intent upon making her point. That's the most important thing, is that she win the argument, and there is nothing that stands in the way of that train, you know. But Julia's just alive in front of you. That's part of why people loved her. They lived it with her. They breathed it with her. And the mistakes were all part of it.

Sometimes it's easier for people who are in authority to be authoritarian, because people know where you stand.