Sometime really good writing does you a disservice as an actor. Because you can get lazy. It's doing a lot of the work for you. I guess that's good. But at the same time with material that's not so good, you have to be more inventive, because no thought has been applied to it.

When my children were very young and I was working I had someone cooking for me. I don't have a cook now, I haven't had one for a number of years and I do it myself. But when they were all little it was hard to pay attention to everyone's homework at the end of the day and make dinner.

Show business has been really, really good to me because I can work and take a lot of time off, and I'm extremely undisciplined person.

So it's not a thing that's a struggle. It's work, but it's not a struggle. It's fun. And she had a very particular way of emphasizing points and making her point, and that had to do with bringing out a word that you didn't normally think was the most important word in the sentence.

I'm in show business. I believe in illusion and delusions and in holding aloft the bubble of a dream of some sort because, really, there are lots of reasons to look at the chasm. But art and music, these ineffables, they're just - they're the consolations of what human beings can create and make, and delight is accessible, you know, should you care to find it.

Pretending is not just play. Pretending is imagined possibility. Pretending, or acting, is a very valuable life skill and we do it all the time.

That's my way in the very beginning - how to enter it [a role]. Very quickly in the process, I don't think about voice being separate from the way you hold your head or the way you sit or the way you put on lipstick. It's all a piece of a person, and it's all driven by conviction.