I would like Martin Scorsese to be interested in a female character once in a while, but I don’t know if I’ll live that long.

That's my way in the very beginning - how to enter it [a role]. Very quickly in the process, I don't think about voice being separate from the way you hold your head or the way you sit or the way you put on lipstick. It's all a piece of a person, and it's all driven by conviction.

For young women, I would say don't worry so much about your weight. Girls spend way too much time thinking about that, and there are better things. For young men, and women, too, what makes you different or weird-that's your strength. Everyone tries to look a cookie-cutter kind of way, and actually the people who look different are the ones who get picked up. I used to hate my nose. Now I don't. It's OK.

The progression of roles you take strings together a portrait of an actor, but it's a completely random process.

The key to every actor is deep, deep insecurity.

I have a lot of people to thank and I'm going to be one of those people that tries to mention a lot of names, because I know just two seconds ago my mother and father went completely berserk and I'd like to give some other mothers and fathers that same opportunity.

My job is usually to express emotion as freely as possible.