Traveling to Russia and Germany and being able to see the world at a young age was really cool for me, and I really liked that.

I hate the feeling when I'm overseas, away from Australia, that I'm trapped, blocked by an ocean from getting to the people I love. That gives me anxiety.

I definitely have an appreciation for fashion.

It's always nice to work with someone you have a history with. It just makes it easier to click back into that dynamic and have a lot of fun.

I really loved it because it really informed his way of seeing my character and the story. If you look closely he always had this metaphor of an egg, of a little chick pecking her way out of a shell, and in one scene in the kitchen there are all these white plates on a wall and then in the middle there is a yellow plate so even that looks like an egg. And a lot of the furniture was almost sculpted in that way as well. It was really cool to see that.

It's really rare to get a teenage role that resembles something of what it's like to be a young person, that isn't a cliché or a stereotype.

I always collect a bunch of images for every film that I do, that reminds me of an essence of the character, or the time that they live in, or what they're experiencing.