When you dance intensely, you are really aware of your physicality, and that's always great to have as a tool, when you're an actress.

I hate the feeling when I'm overseas, away from Australia, that I'm trapped, blocked by an ocean from getting to the people I love. That gives me anxiety.

Everybody is completely different. I think there is no formula for filmmaking. Everybody finds their own way of doing things.

Photography, for me, is something I can control fully. It's wholly my own expressions.

I get restless easily so I always want to keep working, but I am trying to pace it as well.

I always collect a bunch of images for every film that I do, that reminds me of an essence of the character, or the time that they live in, or what they're experiencing.

One of the producers, Wonjo, was an amazing interpreter. I don't think we really knew how it was going to work at the beginning. Yet it was something that a couple of days into it seemed so seamless and it wasn't something that we noticed or thought about. A couple of times I cornered him and forced him to speak English but we didn't speak much English at all. That said, I don't think anything was ever lost in translation. It was all very easy.