The independent films are really where I kind of come from and where I feel comfortable. It's never been about the blockbusters and making a huge tonne of money. It's always been about wanting to do projects about the things that I think are important to be out there.

You never choose the way that you're raised, it's just the way that you were raised, but you do get to a certain age where you're in a position to question the expectations of you and the way that you've been formed by your surroundings.

Director Park asking that if there was a pocket on one side of the piece of clothing then there should be a pocket on the other side. They were a little uncomfortable to wear, yes, because there were a lot of tight, high-waisted things so it was great at the end of the day to slip into some pajamas!

I really like trying to find the roles that are actually really meaningful to me.

I really loved it because it really informed his way of seeing my character and the story. If you look closely he always had this metaphor of an egg, of a little chick pecking her way out of a shell, and in one scene in the kitchen there are all these white plates on a wall and then in the middle there is a yellow plate so even that looks like an egg. And a lot of the furniture was almost sculpted in that way as well. It was really cool to see that.

What I like about film is it explores imperfections.

Ballet has really helped me in every acting role. You have to be very disciplined, you have to be able to control your nerves and perform under pressure, and all those things you have to use in acting when you're on film or going for an audition.