I got a little criticism for working with Puff [Daddy] and I got some criticism for doing the special but you have to weigh the good with the bad. I got more of a good response than bad when I did those two things.

The Gods have a lesson that tells you to build and destroy and that's the cycle of life. Things have to be destroyed and then it has to be rebuilt. I think rap always go through cycles where it appears that it's destroying itself but it's actually purging itself and after it purges itself it comes into another state of being.

The way I think it all went down was MTV was doing a special on people and my publicist heard about it.It was a good thing though. People ask me about that all the time, all over the world. Sometimes I feel I'm more known for that then for rapping.

It could be the old man I see at the store or the chick I see walking down the block. Normal people that are everywhere you go. That's who I make records for and I don't expect all of them to give me pay $11.99 to hear my record.

I could cover the gamut. It's cool though you go in for an hour, read the script, leave and you got a check.

The public doesn't get to see everything. I worked with X a couple times since then. Me and X have a close relationship. We actually did a record they were going to put on the Training Day soundtrack but he ending up buying the record from me and putting it on Great Depression as a bonus track.

When I did The Natural that album was done from the perspective of a kid from Queens that was 19-20 years old who doesn't know that much about the industry.