In general, I think every novel is a political novel, in that every novel is an argument about how the world works, who has power, who has a voice, what we should care about. But political novels can be boringly polemical if they end up being too black and white, too one dimensional, like war is bad, killing people is wrong.

When I was in college, I had a friend who was an artist and her theory was that all the best art in the world is funny/sad. That was her favorite genre. Funny/sad are probably my two favorite tones.

I'm really interested in the United States, what it means to be American - maybe because my father's an immigrant and my grandparents were immigrants, and also because I grew up so isolated from mainstream life, and it was such a total shock to leave the commune and, in a way, enter America for the first time when I was eleven - so I've always felt a little like an anthropologist - like, what is this strange place I find myself in, what are the rules here?

Don't you think almost anything can be funny? Almost anything.

I know books that are really good and writers that are really good and they have become oppressed and ground down from the rejection and they stop. Either they stop writing or they have these books in their drawers. I know that for a fact.

I've heard a lot of editors and agents say, "If the book is good, it will get published." I totally disagree with that.

In general, I think every novel is a political novel, in that every novel is an argument about how the world works, who has power, who has a voice, what we should care about. But political novels can be boringly polemical if they end up being too black and white, too one dimensional, like war is bad, killing people is wrong.