There are bound to be differences in any artistic collaboration with landscape elements, or theater, of lighting elements.

As architects we are often involved in the concrete-steel-and-glass aspect of it, but cities are social structures, and to be involved in imagining the future of cities and the type of relationships and the types of places that we're making is something that intrigues me very much.

I really appreciate artists of the 20th century, and I can see a lot of their influence on my work, but to suggest that my design only fits within an 'ism' kind of bothers me.

I believe that people are fundamentally are decent. And, yes, you will have people that sometimes will misbehave.

When I was in the Army, the unit I served in, you could never stop. It was a volunteer unit, and there was a fairly high rate of attrition. The people who stayed through are the people who were either great at it or the people who just didn't know how to stop. And I fell into that second category.

New York was a place I wanted to live and work all along. If I wasn't going to live in Israel, I had to live in New York.

How do you design it so that people can form a space of their own, and feel quiet and contemplative?