If you write a bunch of different characters with a bunch of different opinions, you end up with these long scenes of everyone standing around talking.

If you only know something one way, then you don't really know it.

Working at Pixar has been like my graduate school for screenwriting.

The number one metaphor I have in my mind for writing a screenplay is that...you're trying to climb a mountain blindfolded. And the funny thing about that is, you think, 'Okay, that's hard because you're climbing up a rock face, and you don't know where you're going, and you don't know where the top is, you can't see what's below you...' But actually the hardest part about climbing a mountain blindfolded is just finding the mountain.

Every problem offers an opportunity for a solution. if you are in the right frame of mind to find it.

Adversity challenges the masks we hide behind, revealing sides of ourselves we have not yet comfortably with the world outside. It is why we dislike adversity, because we have to face what we don't yet understand about ourselves.

The great thing about the animation process is that is goes from, I write the lines, it goes to the actors, the actors bring a whole world to that, they bring the characters to life, then it goes to the animators, then it goes to the editor who cuts it together, and then you screen it and it goes back through the system again.