The best writing really does come from the deepest, most private part of you.

In live-action, writing, production and editing happen in discrete stages. In animation, they overlap - happening simultaneously. This allows a real dialogue to occur between the writer, the director, the actors and the editor, and it makes the writing process a lot more collaborative and a lot less lonely.

My thing is that most scripts arent bad scripts, theyre just not finished yet.

In terms of writing characters or stories, at least initially, there's no difference between live-action and animation. A good story is a good story, whatever the medium.

The best writing really does come from the deepest, most private part of you.

Failure can only exist from stagnant perceptions. Everything is a process of learning and if you learn something useful, you have success.

Writing a great script - not just a good one, but a great one - is almost an impossible task.