I'm not saying no to anything, at least as far as reading scripts. I don't care if it's television or films but, personally, I would say I'd like to establish myself more in film.

Acting for me sometimes is taking whatever personal experiences I have and try to apply that [to a role].

Sometimes family doesn't always consist of your relatives or by blood. Sometimes your best friends can feel more like family than your cousins. I think everybody kind of has that same feeling. When you go through an accident together, when you go through a traumatic event, sometimes that brings you closer together.

Now if I cry on screen I think it's mint. Because I think that's how that person would feel at that time. And if it doesn't, then it just doesn't happen.

For me, with me, making a film is always about humanity.

[Kyle Chandler] taught me how to listen very well and reacting. There's a lot of improv. And to be able to do that on the spot you really have to be in tune with what the other person is saying instead of just waiting for your cue line or waiting for a word for you to deliver your next line.

I think everyone starts in the mailroom at some point! It's a right of passage. Your boss has to throw something at you and order you around for at least two years.