You know, you can try and plan [filming] as much as you want, but you get there on game day and you get thrown a curve ball, I guess, hey, the game plan goes out the window. You've got to adapt.

That's one of the fun parts of becoming an actor: You can become whoever you want to be.

I think everyone starts in the mailroom at some point! It's a right of passage. Your boss has to throw something at you and order you around for at least two years.

My mother's in my life, but at the time you imagine your mom passing away, not being there ... as a kid you try to think of something that hurts you the most ... It was just a tool [in "Hardball"].

Phone calls are much more personal than texting and then when you get a girl on the phone, it's like you ask a question and you get a response back. For a text message, they can read it and get back to it whenever they want to. So that makes a difference, almost like a power play in a way.

I want to look at my audience and see all walks of life. I want to do something for everybody.

Now I like to think that I'm in my character's head so much that I don't have to substitute. I'm in the moment; I'm living in the moment. And if it's genuine, it's real, and if it comes out it comes out.